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ARAşTıRMA · BILGISAYARLı GöRü arXiv:2610.35816 26 Eki 2026 · v1

Multimodal Concert Video Editing: System Design and Exploratory Evaluation

Lennart Schiweck, Adrian Kempf, Michelle Retig, Moritz Feucht, Tim Mangliers, +1 yazar

YAYIN:26 Eki 2026 ALAN:cs.MM OKUMA:2

Özet

Editing multi-camera concerts requires coordinated decisions about musical relevance, visual quality and cut timing. We present a modular framework that combines instrument activity from multitrack audio, visible instruments and image sharpness with beat-based timing and probabilistic camera selection. An interpretable scoring model links these components to the choice of views over complete shot intervals. Component tests and an exploratory expert study on a four-camera concert yield mixed assessments across the editing variants. The findings motivate extending local audiovisual relevance with contextual and sequence-level criteria. The architecture provides a basis for testing these extensions and studying how component behaviour affects the quality of complete edits.

Özetle: Editing multi-camera concerts requires coordinated decisions about musical relevance, visual quality and cut timing.

Özet

Editing multi-camera concerts requires coordinated decisions about musical relevance, visual quality and cut timing. We present a modular framework that combines instrument activity from multitrack audio, visible instruments and image sharpness with beat-based timing and probabilistic camera selection. An interpretable scoring model links these components to the choice of views over complete shot intervals. Component tests and an exploratory expert study on a four-camera concert yield mixed assessments across the editing variants. The findings motivate extending local audiovisual relevance with contextual and sequence-level criteria. The architecture provides a basis for testing these extensions and studying how component behaviour affects the quality of complete edits.

Orijinal Özet (İngilizce)

Editing multi-camera concerts requires coordinated decisions about musical relevance, visual quality and cut timing. We present a modular framework that combines instrument activity from multitrack audio, visible instruments and image sharpness with beat-based timing and probabilistic camera selection. An interpretable scoring model links these components to the choice of views over complete shot intervals. Component tests and an exploratory expert study on a four-camera concert yield mixed assessments across the editing variants. The findings motivate extending local audiovisual relevance with contextual and sequence-level criteria. The architecture provides a basis for testing these extensions and studying how component behaviour affects the quality of complete edits.

Kaynak: arXiv:2610.35816 · PDF

BibTeX

@article{schiweck2026multimodal,
  title   = {Multimodal Concert Video Editing: System Design and Exploratory Evaluation},
  author  = {Lennart Schiweck and Adrian Kempf and Michelle Retig and Moritz Feucht and Tim Mangliers and Benjamin Himpel},
  journal = {arXiv preprint arXiv:2610.35816},
  year    = {2026},
  url     = {https://arxiv.org/abs/2610.35816}
}

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